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apprenticeship in electroacoustic music and experiments with analogue synthesizers.
composition and sound design by Paulo da Fonseca and Filipa Campos
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A crucial historical document. Intricate and lovely.
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Inventions & Canons
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Blurring the division between found sound and music, I love the way Look At That One evolves from seaside sussuration into an endless drone. Like the shoreline at incoming tide, hard to tell where one texture ends and the other begins. The final track's nagging guitar chords push at the senses with a firm insistence that carries the music onward yet remains fixed, turning endlessly without moving. A quiet, gentle odyssey.
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synth waltzes and accordion laments
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Images
by Colin Andrew Sheffield
Colin Andrew Sheffield (Elevator Bath) repurposes heavily manipulated jazz samples into gorgeously eerie soundscapes.
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