pä
apprenticeship in electroacoustic music and experiments with analogue synthesizers.
composition and sound design by Paulo da Fonseca and Filipa Campos
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Time Series Processing 1
by Various Artists
supported by 10 fans who also own “c18”
This album is wild, never heard anything like it broke my mind completely
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supported by 8 fans who also own “c18”
Noxin has released some of my favourite music of all time, and to see them putting out new music as feltro on one my go-to label's = instant purchase. This is the kind of music that scratches such a specific part of my ADHD brain that craves a constantly shifting, amorphous sound that I can never truly grasp on to no matter how many times I listen. Completely unfamiliar and yet organic and oddly comforting, like an alien organism slowly teaching my brain new languages
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Future When It Comes
by kevin drumm
supported by 7 fans who also own “c18”
Like riding on a train through a long dark tunnel
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synth waltzes and accordion laments
by Yara Asmar
As the title implies, the latest from Lebanese artist Yara Asmar combines ambient synths with treated accordion in dreamlike songs.
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A collection of unreleased material from Daniel Burke's beloved experimental project, spanning four decades of loud, off-kilter weirdness.
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Images
by Colin Andrew Sheffield
Colin Andrew Sheffield (Elevator Bath) repurposes heavily manipulated jazz samples into gorgeously eerie soundscapes.
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supported by 7 fans who also own “c18”
A crucial historical document. Intricate and lovely.
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